The Hostile Symbols Of The Olympic Games Ceremony

Among the many obvious, cheap, ideologically biased symbolisms in the opening ceremony of the Olympic Games, there was one that went unnoticed as a simple historical symbolism.

It was to be expected to see hermaphrodites fool around. After all, in the current era, that is, the era of the attempt of the global totalitarian domination of the transnational bourgeoisie and its values challenged by the traditionalist forces of Eurasianism, hermaphroditism indicates the absolute domination of the system and the elite over man: the split individual, the stripped of all collectivities, but above all the subject divested of its own nature. It is the symbol of the humiliating defeat of human nature by the artificial bourgeois civilization. This is the image we have to face daily over the past decade. At the political and social level, the ideologization of sexuality and its alleged revolutionary nature, which, in a not so paradoxical way, is promoted, propagated and organized by all the authoritative institutions and organizations of the West and aimed against everything populist and collective, has become a daily reality in the post-political phase we are experiencing and its inclusion in the symbolism of the ceremony of the no1 fiesta of the totalitarian banking globalist elite and Big Brother was not only expected but also tedious.

Moreover, as the French Revolution itself demonstrated with the deification of the materialistic values of the Enlightenment to the point of idolatry (literally as the “Culte de la Raison” with the rituals that Robespierre officially established in honor of the deities of Reason and Science), behind the materialistic, utilitarian, and positivist ideas that are meticulously promoted, there is always a metaphysical dimension that constitutes the opposite pole of existence—of Being. Thus, even the occult and anti-Christian symbols through costumes, horsemen, and other theatrical representations may not be easily understood by the general public, due to ignorance of these specific details, but they are also obvious as an extension and continuation of the materialistic degeneration of human existence, which ultimately leads to the worship of the enemy of the Good.

One not so obvious symbolism was that of a figure of the old aristocracy holding her head in her hands during the show of the French band Gojira. For the mass majority this image was abstractly understood as a historical revolutionary symbolism. It was seen as denoting revolutionarity (and by extension historical progress), as a projection of 18th century revolutionarity into the present day. However, in our time, the severed heads of aristocrats do not symbolize revolution. Quite the contrary. They are a reminder of the victory of the bourgeoisie and modernity over anything pre-modern and the values it retains. These values were not erased all at once with the advent of modernity. This is evident today in International Relations through the resurgence of civilizations that had been buried under the burden of modern values carried with them by modern ideologies in the Eurasian civilisation-states. These ideologies (the defeated ones) were the ones that carried within them the most pre-modern elements, allowing the peoples of the Old World to once again highlight their cultural spiritual virtues when they shed their ideological mantle, even as defeated. Consequently, these values continued to influence modernity and largely passed through the ideological competition of the three main ideologies of the Enlightenment. Today, the victory of liberalism over the other two ideologies marked the era of Post-modernity, which on an ideological level, for the West, is the era where liberalism, freed from any competition, can now express the ultimate vision of liberating man from any collective and spiritual values that can unite people and cultures against materialistic totalitarianism. Clearly, matter has its value but unfortunately this is the curse of the Western cultural paradigm. The lack of dialecticality (even though the West has abused the term on a philosophical level). Its Manichaeism. It recognizes only black and white. So, from the absolute authority of values created by the distorted spiritual assumptions of Western philosophy, it has moved to the absolute authority of values of materialistic assumptions. This is now presented as a natural historical development, which is propagandistic and silly and can only influence the politically and philosophically illiterate.

Thus, this victory of the bourgeoisie presented through this symbolism is now the system. It is the oppressive "By the Will-Grace of the People" authoritarian regime that has replaced the "By the Grace of God" one which today tends to become total, giving the illusion of the political-social emancipation of man. A severed head not only does not indicate revolution but absolute submission to the materialistic values of the "By the Will-Grace of the People" system of the transnational bourgeois elite. It is a counter-revolutionary symbol and as such it is against historical development expressing the End of History. That is, the dominance of bourgeois civilization, utilitarian and materialistic values to an absolute, totalitarian degree (without competition there is no history).

It would be naive to see this symbolism in an abstract way. Given that today the bourgeoisie is the ruler, we can only see this symbolism as a warning and not as a call to revolution against some established power. After all, it is not an isolated symbolism. It is in the context of a larger fiesta that included the whole woke mob which, if anything, as we said, symbolizes the imposition of bourgeois transnational power on societies and people. "Revolution" emanating from authoritative institutions is not revolution but manipulation and subjugation of the people. This symbolism does not represent any form of resistance, change or revolution. It is a targeted warning to anyone who still retains within themselves spiritual values from the pre-modern past.